Aurora Over the Lake

We had been chasing the northern lights for a couple of days now. After two nights with no results at all, yesterday the gods of Valhalla smiled at us. Well, it takes quite a bit of planning (location-wise) as well as weather and aurora forecast monitoring in addition to some help from Asgard.

Arrived to the location just around sunset, so we had a little time to find the best place. We were eagerly awaiting the dark since hemispheric power already crossed the 30GW line, meaning that a gorgeous display was going to happen. And it did.

Aurora Over the Lake

Aurora Over the Lake

During the night we photographed three locations, and the above image is one of my several favorites. How the Zeiss Otus 1.4/28 on the Canon 5DS R performed is simply breathtaking. It resolves fine filaments, colors are stunning, stars are mostly points (there’s a little bit of coma wide open).

It was the best aurora photography session of my life to date. And not just that, but an unforgettable experience.

No Trespassing, Please

There are two ways up to this waterfall. One of them is picturesque 4km uphill hike along the river. The other is a private dirt road, ending half a kilometer shy of the place. There’s also a huge “No Trespassing” sign on the private road.

Turquoise Waters

Turquoise Waters

Of course we did the hike, and it was an absolutely great experience. Both visually and physically. What bothers me is how many people chose to trespass someone else’s land for the convenience’s sake.

Just think about it. You have something interesting in you backyard: how would you feel when hordes of tourists start to invade your property?

Shooting a Waterfall in the Rain

One of the things I had learned during the last decade is that image making is a pursuit that involves a healthy amount of plastic bags and gaffer tape to solve various problems.

Let’s take the following image for example.

Smooth and Rough

Smooth and Rough

There was a light rain when we arrived, not to mention the water droplets from the waterfall that the wind slammed in our face. It was a blessing to walk the scene with the Mark II Artist’s Viewfinder with no need to open the backpack and soak several lenses just to find a composition.

In my favorite composition (of the several I tried in just a few minutes) I wanted to emphasize the clash of dark rough rocks and light smooth water. So I needed a long exposure to smooth out the water flow. Unlike the 5DS R, none of my Zeiss lenses are weather sealed. And water accumulating on the LEE Big Stopper is also problematic. Since I don’t carry an umbrella (which would be the trivial solution), I used the largest water-resistant thing in my bag: the Shadepirate flag in the plastic bag I used to carry it in.

Shadepirate flag functioning as an umbrella

Shadepirate flag functioning as an umbrella

Some extra light also came from the direction of rain/water so the flag actually served double-duty. The setup worked quite well, and had to wipe just a small amount of water from the filter between exposures.

When Puffins Dance

We were driving home from the central highlands, and since road quality gets worse every week I didn’t want to stop or slow down (one trick to maintain comfortable ride on washboards is to keep the speed upward of 60km/h). I said to Agnes: “we’ll stop only if we see puffins dancing on the back of a whale”.

Soon a lovely sunset started to unfold. Nicer colors with every minute. Like several times, it was nice, but saw no image. Then suddenly looked to the left – and pushed the brake to the metal. Yes, I saw the puffins dancing.

A Stormy Night Falls

A Stormy Night Falls

This is something you can’t plan for. A small hole opened in the clouds, and the last rays of the Sun illuminated just the center mountain – leaving everything else in the dark.

It was a magnificent view, but had to act quickly. Set the tripod and camera up in less than 30 seconds, and had enough time to take four frames before the light vanished. The whole event lasted about a minute.

Taken with the Canon EOS 5DS R and Zeiss Apo Sonnar T* 2/135 lens.