Technical Camera : Highlight & Shadow Alert

Highlight and shadow alert is a very straightforward feature of Technical Camera. As the name implies, it warns you when highlights are going to be blown and shadows are about to go detail-less black.

Highlight alert in action

For example, the red highlight alert indicates that the Sun in blown on the image above. I also used Black & White mode as the alert is more visible this way, but of course the feature works with color images. The shadow alert’s color is blue. Both alerts operate on the luminance information of the image.

You can turn these alerts on and off either via screen options (tap the rectangle in the corner, then use the exclamation mark icon – shown in this post), or by assigning the Toggle Highlight & Shadow Alert (HS) function to a Smart Function Key and using the function key.

Of course the warnings are displayed on the live viewfinder image only, they are not saved into final images.

I find these alerts indispensable for shooting on an iPhone, because it tends to overexpose images and blow highlights.

Technical Camera is available now on the App Store, at a 30% discounted price until June 14, 9:00AM CEST.

Technical Camera Available Now

Technical Camera is available now on the App Store!

Quite a few users reported that pre-orders did not work on iOS 10.3, and they unable/unwilling to update to iOS 11 because of several reasons. So we provide a 2 day introductory price period, until June 14, 9:00AM CEST.

To get started with the app, I recommend to read my how-to posts. More of them is on the way.


Technical Camera : Wide Converter Support

There are occasions when the iPhone camera is not wide enough. A handful of companies (Moment, olloclip, Schneider, Zeiss – just to name  a few) realized that this is an issue, and started making converter lenses that let you shoot wider. These lenses fall into two categories: 1) well corrected for distortion – like the Moment or Zeiss, and 2) uncorrected.

With the latter group you have severe barrel distortion. We started experimenting with these lenses for use with the Mark II Artist’s Viewfinder back in 2013. The barrel distortion basically made them unusable for simulation purposes, so we came up with a solution that’s unmatched even five years later. Maybe because it needs a lot of effort and is quite costly to implement.

The technology behind the solution is real-time distortion correction, and the associated thing in both Artist’s Viewfinder and Technical Camera is Wide Mode.

Let me show it in action before going deeper (veteran Artist’s Viewfinder users can skip this, as it’s exactly the same thing you’re used to in that app).

The top/left half of the image is what you get when attaching an uncorrected converter lens. The lower/right half is what you’ll end up after turning on Wide Mode.

This kind of correction is really important if you want to take architecture or real estate pictures – it may separate an amateurish looking image from a professional looking one.

Since distortion correction is done in software, edges of the resulting image may become soft. This is more pronounced with wider (0.5x-class) converter lenses. One possible mitigation (depending on planned image use) is using JPG Half or JPG Quarter image size for your album.

To use a converter lens with Technical Camera, you need to tell the app which lens you are using with the Wide Converter item in the menu. This will select the appropriate correction profile and conversion factor. We make dedicated profiles for each supported converter/phone combination (this is why it’s a costly endeavor). The list of profiles is continuously expanding, so if you miss something, please let us know.

We also measure the exact conversion factor for the profiles (which is usually more conservative that manufacturers tend to advertise). In Technical Camera this number is used for displaying Framing Previsor corners correctly.

But since we can’t cover every single lens on the market, there’s another neat thing: you can create a “custom converter” yourself. Since the process is exactly same for both apps, I’m not going to replicate here what I wrote about this feature when it was introduced in Artist’s Viewfinder – but I recommend you to read that post.

Ok, you have a converter selected. The lens is already attached to the phone. What’s next?

You have to activate Wide Mode. This is done with either the WIDE icon among camera options (accessed by tapping the circle icon in the corner – shown below).

Wide Mode icon on Camera Options

Or by assigning the Toggle Wide Mode (W) function to a Smart Function Key and operating that key.

That’s it. Until you turn Wide Mode off, the viewfinder, saved JPG images, and even preview images saved in RAW files will be distortion corrected.

All functions (exposure, focus, etc) operate the same way in Wide Mode, with the exception of digital zooming, which is disabled.

Technical Camera is available for pre-oreder now on the App Store, at a 30% discounted price. It will be released tomorrow.

Technical Camera : The Framing Previsor

You might be wondering what those four (or eight) small corners are on Technical Camera screen shots. I’ve highlighted them on the following one.

Framing Previsor corners showing what you’ll shoot with the telephoto camera

They belong to the tool called the Framing Previsor. This is something hasn’t been done before (this is the second world’s first in the app – I’ve already wrote about album specific image quality and geotagging settings). So let me explain in detail.

It takes a while for an iPhone to switch between the wide angle and the “telephoto” (it’s more a normal angle of view, but Apple calls it telephoto) camera. It is really annoying when you are in a hurry, because light is changing or the event is unfolding quickly. So the idea is to pre-visualize on the wider camera’s view what the longer one will capture, should you switch over to it. You can decide with a quick glance on the screen whether it’s worth switching over, or stay with the wide angle one.

While it seems simple, this feature requires a bunch of advanced stuff to do correctly. The big question is: where to put those corners? One can follow a naive approach and use the angle of view data iOS provides for each camera. Well, since this data only have loose connection with reality, the corners could be more than 10% off this way. Fortunately we have precise data for the majority of iOS devices from the Viewfinder project. We use a custom-built instrument to measure the real angle of view of phones and tablets to be able to precisely simulate different camera and lens combinations.

This data provides the foundation for the Framing Previsor. At the time of writing, we have lab measured data for iPhone 7 Plus and iPhone X. These will be in the app initially when it’s released on the 12th. We’re already working on the iPhone 8 Plus, and it will follow suit in a subsequent update (until that the app uses iOS provided data for this phone).

The Framing Previsor is turned on by default, so you’ll see the corners on dual camera phones or if you are in Wide Mode (more on this in a moment). It can be turned off and on via the Toggle Framing Previsor (FP) Smart Function Key or via screen options. To access screen options, just tap the rectangle icon in the corner (mimicking a screen).

Screen Options

Tap the icon with four corners to toggle the Framing Previsor.

While this feature was originally developed for dual camera devices, there’s a situation in which you’ll encounter it on single camera ones. In is Wide Mode.

Wide Mode, with its associated machinery, like real-time distortion correction, will be discussed in another post. But since I’m talking about the Framing Previsor now, it’s the right time to describe this situation. Let’s begin with a screen shot illustrating it.

Framing Previsor in Wide Mode

There’s a 0.5x-class wide converter lens attached to the phone (roughly doubling the angle of view). Distortion correction is active, that’s why the tree isn’t bent. And you see eight corners instead of four. The outer four represent the regular wide angle camera of the phone, that is, when you remove the wide angle converter accessory lens. The inner four correspond to the telephoto camera’s angle of view.

On single camera devices the inner four will not be available of course. But the remaining ones will indicate what the shot will look like when you remove the converter lens.

The Framing Previsor works best at normal to infinity subject distances. The closer you focus, the larger the parallax error caused by the distance between the cameras will be. At close distances focus breathing also changes the apparent image size. These are optical laws, and since there’s no way to know the actual focusing distance on an iOS device, there’s no way to mitigate them.

Technical Camera is available for pre-oreder now on the App Store, at a 30% discounted price. It will be released on June 12.