Focus Bracketing Comes in Kuuvik Capture 1.1

kc-focus-bracketToday I practically finished the focus bracketing feature in Kuuvik Capture. Of course it has to pass our rigorous testing procedure, but the features are considered final.

Speaking of the features. You can drive focus starting from either the closest or from the farthest point, in small/medium/large sized steps. What those steps mean is camera body and lens specific (a totally arbitrary value actually), so you have to test it before starting the bracket. Hint: Command + arrow in live view mode drives focus by small steps, while Command + Shift + arrow drives it in medium steps.

You can expose up to 30 images in a focus bracketed sequence. It can also be combined with mirror lock-up and the intervalometer, as usual. At the end of the sequence we try to focus your lens back to the starting position, but don’t rely on it if you need accurate positioning – some lenses are really crappy in this regard and are unable to drive focus by the same amount back and forth.

kc-15-bracketWe have also changed the maximum number of shots you can expose in other bracketing modes to 15. As you can see on the bracketing monitor, this number is usually more than the exposure range your camera is capable of, but some of you requested it, so we added it.

Version 1.1 is in private beta right now, and it is planned to be release early July. It will be a free upgrade for current Kuuvik Capture users.

Forest Railway Tranquility

To access some of the most beautiful parts of Zemplen’s forest railway you have to cross a swamp (which you can also see on my “Bigfoot” shot). Crossing was a piece of cake on the way to this place, and the light and atmosphere was as gorgeous as it gets on a midsummer morning.

Forest Railway Tranquility

Forest Railway Tranquility

On the way back, well, my rubber boot’s leg proved to be just about an inch shorter than it would be necessary to cope with the water… The moral of the story: don’t be lazy to dig out a longer boot from you car’s trunk when you cross a swamp (yes I had a longer boot in the trunk with me).

But I think this image well worth the small inconvenience of having some water in my rubber boots. And yes, Canon’s 135mm f/2L is a wonderful lens.

A View from Edelweissspitze

During our former Austrian vacation we spent a day driving the Grossglockner High Alpine Road. The image below was made after lunch from Edelweissspitze, a 2571m high peak. Meandering below is the high alpine road.

A View from Edelweissspitze

A View from Edelweissspitze

Canon WFT-E7 First Impressions

There are situations when you need remote camera control. No, I’m not speaking about the “let’s control the camera from an iPad two meters away” kind of pointless exercises, I’m talking about real needs. Think about cameras mounted on the roof of the stadium, situations where you would scare wildlife away with your presence, or downright dangerous places where you don’t want to spend more time than absolutely necessary.

I bought Canon’s Wireless File Transmitter WFT-E7(B) to assist in implementing some of my photographic ideas, and also to develop network (both wired and wireless) tethering support for Kuuvik Capture. While it’s clear that Canon’s transmitters are not standing in the forefront of today’s technology, if you could live with their quirks and limitations, then they could do the job well.

The Pricing Issue

Well, I paid 520 EUR (roughly $675, excluding taxes) for the WFT. Although this is some $175 less than the list price, it is pretty expensive. The bill of materials for this device is hardly more than $50, so this asking price is a bit irritating. As a comparison: an Apple Airport Extreme base station that packs comparable amount of software costs $179. Considering the functionality of the WFT, my opinion is that Canon could sell huge amounts of these at $199 or even at $299. But the $849 list price is simply unrealistic.

The bad news is if you need full, 100% USB-equivalent remote control functionality, then you have to swallow the price, and buy the device. There are some products, such as Camranger, that offer partial solutions, but you need a WFT for the whole thing.

Integrated Wi-Fi (and WFT software) on the 6D certainly points to a good direction, and I hope more cameras with integrated WFTs will follow. This is how it should be done in 2013.

The Hardware

When the first wireless transmitters had appeared for Canons, they were ugly bricks that connected to the camera with a cable, but in exchange they supported multiple cameras. Then Canon made their mind, and started to sell dedicated transmitters for each camera model (think 5D2 and 7D). With the WFT-E7, the ugly brick returns. In theory it will support future cameras, but I found no sign on the Net whether it works with anything except the 5D3. I plan to investigate this in the near future.

Its exterior finish acts like a dust magnet, and also files off small skin particles of your hand, so it’s a challenge to keep it clean.

Mounting the WFT is another challenge. I’m using Arca-Swiss compatible tripod heads/plates, so screwing the WFT under my camera is not an option. As a short term solution I simply attached a keyring to the supplied neoprene case, and hung the device on my tripod hook. In the long term the keyring will be replaced with a carabiner that will attach to that hole on the tripod base. Canon packages two cables with the device: one is too short and the other one is too long for me. This is why I reel up and velcro the longer cable to the case.

The good news is that the WFT is powered by the same LP-E6 battery that powers the 5D3.

Operating Modes

You can choose from the following operating modes (which are mutually exclusive):

  • Remote camera control (EOS Utility).
  • WFT Server, which is a web-based remote control facility.
  • You can upload your shots to an FTP server.
  • Show your images on a DLNA compatible TV set.
  • Can sync time between cameras.

The only mode that gives you full remote control is the EOS Utility mode. This is what I’m using, so will skip the others.

Network Configuration

This is the first quirk. For some unknown reason, the device can’t operate as an access point. So you either connect it to an existing network; bring your own access point (another box, batteries, etc); or create and use an ad-hoc Wi-Fi network (which can work only in “g” speed, and its WEP encryption isn’t something considered secure). This is a major oversight on a $675 device.

I won’t talk about basic network configuration, because you can find pretty good and detailed guides at Canon’s Digital Learning Center. I will, however, talk about another quirk: pairing.

Pairing

To control a WFT-equipped camera, you have to pair it to the computer and application you plan to use it from (I’ll call this computer/application pair an endpoint).

You must configure your networks settings on the 5D3 using the Connection wizard. No matter how experienced you are in IP network configuration, this is the only way you can get your WFT to do the pairing at the end.

Below is a screenshot of the network camera manager in the private beta version of Kuuvik Capture 1.1 showing my paired (and connected) 5D Mark III.

Network camera manger in Kuuvik Capture 1.1 beta

Network camera manager in Kuuvik Capture 1.1 beta

Working with the WFT

This is the best part: once paired and connected, you can forget about the WFT. Everything looks and works as if your camera was connected via USB. Yes, Wi-Fi can be slow (especially ad-hoc “g” speed networks), so large RAW file downloads can take a while. But otherwise the functionality is completely identical.

You only have to pair your WFT to Kuuvik Capture once, but you must watch for the connection sequence later on. WFTs advertise themselves on the network using Bonjour. When you turn on a paired WFT, it will advertise itself for a minute. During this time Kuuvik Capture (or another software) must connect to it. If the camera does not receive a connection request within a minute, it will shut down the WFT! From this point on things become pretty stochastic. Sometimes after a while the camera turn the WFT on again, sometimes you have to disable and re-enable EOS Utility mode on the camera to retry the connection.

The recommended sequence is:

  • Start Kuuvik Capture.
  • Turn on the paired camera. It might need half a minute or so to start advertising itself. When it appears in Bonjour, Kuuvik Capture will automatically connect to it.

Conclusion

During the last few weeks of testing the WFT-E7 worked as expected – offering stable, completely USB-equivalent connection. I don’t have a reason no to be satisfied with it. I just try not to think about its price.

Oh, I’m sure 6D owners will break into a smile seeing the ugly brick hanging under my tripod…

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Backyard Alpenglow

Earlier this week we spent a couple of days in Rauris, Austria. Tuesday we had great weather, so late afternoon we went out to scout a location for some alpenglow shots. Spent about an hour driving around the village, but found nothing. Alps are to the south from there, and the deep valley walls mask most of the snow-covered peaks.

We gave up and went back to the hotel, just to find out that the ideal spot for an alpenglow shot was the corner of the parking lot! This is the resulting image.

Backyard Alpenglow

Backyard Alpenglow

After finishing this image, I was about to pack my gear and head into the hotel to enjoy the dinner and some beer. But the light show wasn’t over! I find the combination of monochromatic show/hills with vivid sky/clouds really pleasing.

Evening Light

Evening Light

Fixing a Painful Mongoose M3.6 Problem

I’m using the Mongoose gimbal head since late February. It is a great head with one recently discovered issue. Which turned out to be a painful one – literally.

Whenever I use my long lens setup on a tripod I try to improve its stability and maneuverability by gripping the lens the way shown on the following image. With the Mongoose I have a solid platform to lean my left forearm against (this is why I place the arm of the head on the left, even if it obstructs controls on the lens).

1D2_1318_1088

Gripping the lens to improve stability

This worked fairly well during the colder months when I was wearing a fleece and a jacket. The problem surfaced on the very first hot spring day when I left warmer clothing at home and my skin was in direct contact with the Mongoose: the horizontal movement locking knob on the head’s base was constantly sticking in my arm, causing a pain directly proportional to the force I used to stabilize the lens with.

The offending screw from another angle

The offending screw from another angle

I was out on Lake Tisza when this first happened, together with my guide, who is also an avid photographer – and retired mechanical engineer. When I told him about the issue, he pulled out a piece of blue foam you see on these pictures from his bag to cover the screw…

This quick fix saved the day (not to mention my forearm), and when I left I even got a bigger piece of the same foam from him to affix it to the head.

Foam and zip-ties to the rescue

Foam and zip-ties to the rescue

Although we discussed a couple of proper solutions, I had no time to implement any of those before going out next time, so just zip-tied the foam to the holes on the arm of the head.

All in all, this solution works pretty well, but I’m a bit disappointed to run into an oversight like this on a $600 head.

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