Viewfinder 4.4 with 3D Touch and iPad Pro Support

Version 4.4 of the Mark II Artist’s Viewfinder is now available on the App Store.

Besides the usual bunch of new wide converter profiles and cameras (detailed in the release notes), the two main new features are 3D Touch and iPad Pro support.

I already wrote about 3D Touch home screen Quick Actions in a sneak peek.

On the iPad Pro front, the app now takes advantage of the entire, huge screen. User interface elements remain the same size as on all full-sized iPads. This is to let the content occupy the majority of the screen real estate.

vf-ipad-pro

We also checked all the wide converters we have on the Pro, and were able to mount the Moment wide lens (both the iPad Air 2 and iPhone 5s clips fit). So this version adds support for the Moment wide lens/iPad Pro combination. More wide converters will be supported as their manufacturers come out with iPad Pro compatible versions.

Speaking of wide converters. Schneider is lagging behind again with iPhone 6s/6s+ support. We were able to use the 6 case on the 6s, so that’s in this release. But there’s no 6s Plus case yet.

Version 4.4 is a free update for existing Mark II Artist’s Viewfinder owners. Users of former Viewfinder Basic/Pro/Cine editions can upgrade for a reduced price.

Mark II Artist’s Viewfinder 4.3 Released

The latest update to my Mark II Artist’s Viewfinder app is now available on the App Store. The highlights of this update are improved iOS 9 compatibility and new wide converter lens support. While the former doesn’t need more explanation, let’s dive into the latter.

vf43widesThis is a screen shot made on my iPhone 6 Plus. You can see that Schneider iPro lenses are now supported, but the bigger news is Moment Wide lens support across the board.

The Moment Wide lens is a high quality 0.65x-class converter. It’s so well corrected that there’s no need for distortion correction in the software. It’s not a surprise that support for this lens was the most often requested feature.

The only thing that prevents it from becoming my favorite is the rather crappy attachment plates. The lens bayonet is simply sub par, and I don’t want to glue anything to my phone. So gaffer tape was used extensively during measurements and testing of this converter. Their case is light years ahead of the plates, but only available for the iPhone 6 at the time of writing.

The Moment Wide lens is now supported on iPhone 4/4s/5/5s/5c/6/6+, iPad Air 1/2 and iPad mini 1/2/3.

The complete release notes is available here, and through the “What’s New in This Release?” menu item from within the app.

Version 4.3 is a free update for existing Mark II Artist’s Viewfinder owners. Users of former Viewfinder Basic/Pro/Cine editions can upgrade for a reduced price.

What about the iPhone 6s and 6s Plus?

Since version 4.1 new devices are supported automatically using iOS provided angle of view data, so you don’t have to wait for us to complete the bench measurements. Sure, measured angle of views provide better precision, but you need to wait for that – as well as for wide converter support.

We have no early access to new hardware and must wait for general availability like everyone else. In our country the new phones just became available yesterday – and I had already ordered both. They are expected to arrive by the end of next week. Olloclip and Moment declared their clips as 6s/6s+ compatible, Schneider promised to say something by mid-October.

So you’ll have to wait for wide converter support on the new phones until the dust settles and we complete all the measurements.

Thoughts on iDevice Wide Converters

Last week I added support for a bunch of iPhone/iPod wide converter lenses to the upcoming release of our Mark II Artist’s Viewfinder app. They were Schneider’s Series 2 super wide and wide iPro lenses as well as the wide lens in olloclip’s 4-in-1 offering. The picture below shows them: Schneiders on the left, olloclips on the right, and the ALPA ACAM in the middle. They are shown without their mounting cases (except for the olloclips).

A bunch of wide converters

A bunch of wide converters

While they are all suitable for viewfinder use, you can’t expect good optical performance from such lenses, period. Their manufacturers like to advertise them as “high quality”, “precision”, etc. Well, they might be high quality for someone who lo-fi filters the crap out of their smartphone images, but in my book they are not usable for real photography – even on smartphones.

They are all priced in the same range ($65-$100) with mounting hardware included. Schneiders usually occupying the higher end of this range.

Conversion factor and distortion

The bad news: advertised conversion factors can’t be used to compare these lenses. All super wide converters we measured exhibit huge (10% or more) barrel distortion. What gets in the marketing material is the magnification ratio with no distortion correction applied. That is, they count in the extreme edges, which will result in smaller factors.

But when distortion is removed, those extreme edges go away (as you can see in the first illustration in my previous post). The result: Schneider’s super wide lens that’s advertised as having a 0.45x conversion factor is a 0.5x lens is reality. ALPA’s lens, which is advertised as 0.5x (because I told them to) is a bit wider in reality than Schneider’s 0.45x.

The conversion factor also changes from device to device – and all the adapters I measured go wider when they are used on a device having a wider native field of view. For example, the ALPA is a 0.5x on an iPhone 4, but a 0.48x on an iPhone 5S.

ALPA ACAM mounted for measurement

ALPA ACAM mounted for measurement

If you look at conversion factors you’ll find out that there are two distinct classes: 0.5x and 0.65x. The Schneider super wide and the ALPA wide belongs to the first, and the Schneider wide and the olloclip belongs to the second. Is it important to note that the wide Schneider exhibits only a small amount of barrel distortion – and this lens would be usable even without correction. The olloclip is not, it has the same huge distortion as super-wides.

Sharpness

The sharpest is the Schneider super wide. The least sharp is the iPhone 4/4S variant of the olloclip – so much that I struggled for hours to find the checkerboard corners in the sea of blur and chromatic aberration.

Other aberrations

Schneiders are almost free of chromatic aberration. All others exhibit a huge amount of it in the corners. Centering is bad on all converters. The Schneider super wide also exhibits hard to correct mustache-like distortion. On the iPhone 5 for example this – together with bad centering – causes residual pincushion distortion on one side of the image after the barrel has been removed.

Mounting

Olloclips tend to slip off easily – except when you use it on an iPod, where a rubber inserts keeps the lens in place. Converters with cases are all solid, although I found Schneider’s iPhone 4/4S case too tight and hard to remove.

Mounting on the top of the camera (in the hot shoe for example) is another story. If you want to use the converter lens to compose stitched panoramas with the Mark II, you’ll need a holder that keeps the phone’s lens centered with the camera’s. This is to avoid parallax as much as possible. This is where things start to cost more. ALPA makes a holder that ships with the super wide converter lens and two cases. Other manufacturers, such as Cambo, also make holders (the Cambo includes a converter lens that the Mark II does not support yet). But be prepared to spend $800-$900 on these.

My favorites

I’m not a big fan of the Schneiders. I was confused about which case is compatible with which series lenses, and their site offers little help. Now I know that the series 1 cases can hold series 2 lenses, but not vice versa.

Actually I have two favorites. The ALPA rig (holder and such) is what I use. It offers the widest view, it’s easy to mount on my camera, has the sturdiest lens mount, and so on. All in all, highly recommended.

The other, the olloclip 4-in-1 on an iPod touch 5, was a surprise for me. I never thought how usable this combo could be. It’s lightweight, fast, and the rubber insert keeps the lens from falling. It can simulate lenses down to about 24mm (on full frame 35mm cameras). Not to mention that it’s the cheapest way to get into the wide converter world of the Mark II.