Geysir – In a Different Way

I prefer to be alone (or with a few friends at most) when photographing. Which gets increasingly hard in Iceland. The number of tourists had already reached questionable levels, and the vast, empty land, one that you can roam for days without bumping to anyone seems to be a thing of the past. This really depresses me, so I might dedicate an entire post for the issue someday.

But a short-term mitigation is to go away from the crowd, simply acknowledging that some beauties of the country had been lost, and try to find those that escape the attention of the selfie-stick wielding masses.

Case in point. We spent the better part of the dawn at Geysir after the coolant leak discovery, and despite the early time of the day, quite a few real photographers (you know, the tripod-carrying type) and a dozen selfie-stick knights were surrounding Strokkur (the geyser that erupts every 10 minutes or so). So I walked around the colorful pools on the hillside, and wandered towards the geyser after which all other geysers in the world are named: Geysir. I’ve seen it erupting once 10 years ago, so who knows.

Geysír is Silent Now

Geysir is Silent Now

There was no eruption this time, but found something, a hidden treasure, that all others there at that morning blissfully ignored. It was kind of funny to see that I’m aiming my camera at the exact opposite direction of everyone else, a good 50m from the crowd… Maybe this is the key to survive photographically at this place at this time.

At the end, I’m very happy with this image of the sleeping giant. Made with the Canon 5DS R and Zeiss Apo Sonnar T* 2/135. Composition and focusing done in Kuuvik Capture.

Timeless Mountains

Mountains exist on a different time scale than we humans live our fleeting lives. Only if they could tell all those things they witnessed. Maybe that would be too much beauty and too much horror for us, and it’s better that they silently keep the planet’s secrets.

Timeless Mountains

Timeless Mountains

I wanted to wash away the lovely clouds to amplify the sense of timelessness, so I used a total of 16 stops of ND filtering: a LEE Big Stopper and a LEE Little Stopper stacked together (and sealed on the edge with gaffer tape to avoid light leaks and hot spots). It was a long trial and error to get enough sunlight on the mountain with the quickly changing cloud layers casting unwanted shadows here and there. I played for almost an hour, and the above image is the best one.

Taken with the Canon 5DS R and Zeiss Otus 1.4/28. Kuuvik Capture was used to control the long exposures.

Gullfoss in Pink

On the evening the image below was made we originally planned to go to the highlands of Iceland. But just a few kilometers into road F35 I noticed that coolant is leaking from our 4×4 – the culprit being a hole somewhere in the radiator. So we quickly abandoned the original plan. But while going back to Reykjavík, we stopped at Gullfoss, and subsequently at Geysír.

I have been at Gullfoss half a dozen times before, but never experienced such a colorful light show. The pink clouds reflecting from the water transformed the waterfall into a nacreous beauty. I was glad that we had to change the plan and came back.

Gullfoss in Pink

Gullfoss in Pink

The image really shines in a large print where the eye can enjoy the abundance of intricate details that the Canon 5DS R and Zeiss Apo Sonnar T* 2/135 can deliver. A LEE Big Stopper was also in use when making the exposure.

The Volcano Dreams

Snæfellsjökull is dormant for the last 2000 years or so. But on warm summer evenings it dreams. And sometimes the waggish sky revels these dreams.

The Volcano Dreams

The Volcano Dreams

Canon 5DS R with the Otus 1.4/28. I was looking for the perfect place the photograph the mountain, which seems to have less snow that I used to see in the past. Finally I gave up, but when we stopped for a totally different reason this scene started to unfold before my eyes.

A New Day Begins in Fjallabak

Driving the Ladmannalaugavegur and the Fjallabaksleið north in the morning can be quite a challenge. The Sun shines right into your face in several sections, and it’s hard to separate the black road from its black surroundings.

This challenge is not without reward, though. You encounter otherworldly formations and scenes, ones that makes this place really special. Just like the spire on the image below.

A New Day Begins

A New Day Begins

Taken with the 5DS R and Zeiss Apo Sonnar T* 2/135.

Bláhnúkur Sunset

Unlike several things in Iceland, Landmannalaugar changed very little over the last decade. Well, the road seemed a bit worse (more washboards), despite my car having better suspension and tires than a vanilla 4×4, and thus more suitable for this type of roads.

I’ve been there a couple of times before, mostly in heavy rain and overcast days. But the last evening was spectacular. This is undoubtedly an advantage of living close to a subject and being able to go there anytime the weather is good.

Bláhnúkur Sunset

Bláhnúkur Sunset

The detail my 5DS R and Otus 1.4/55 delivers still amazes me. But the real icing on the cake is how the Zeiss renders the image.